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'Quite a revelation was Bulgarian-born soprano Andriana Fenech Yordanova. I wonder where she had been "hiding"! She has a lot of personality, is a confident and technically well-endowed singer with a warm, wide-ranging voice that has a pleasant timbre. She is able to adapt easily to style and idiom as witnessed in Brahms' Vergebliches Staendchen, Mendelssohn's Neue Liebe and the taxing Agathes Szene und Arie from Weber's Der Freischuetz.' 'With Fenech Yordanova the Maltese vocal scene has been enriched with a soprano who has a powerful clear voice and a solid technique and a pleasant timbre.' 'No matter in which language she sings, Andriana FenechYordanova takes great care with diction , which is always of the clearest.' 'The voice has a warm sweetness of tone and also able to muster pretty powerful forces while at the same time never losing great clarity. This kind of control, phrasing and shaping played a most important part in producing the best possible effects. This also grew on the audience whose warm reaction to the singing became gradually more and more intense.' |